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(British, b. 1953) Michael Kenna was born in Widnes, England, and is one of the most influential landscape photographers working today. His mysterious photographs, often made at dawn or in the dark hours of night, concentrate primarily on the interaction between the natural landscape and human-made structures. Kenna is both a diurnal and nocturnal photographer, fascinated by times of day when light is at its most pliant. With long time-exposures, which might last throughout the night, his photographs often record details that the human eye is not able to perceive.
Kenna is particularly famous for the intimate scale of his photography and his meticulous personal printing style. He works in the traditional, non-digital, photographic medium. His exquisitely hand crafted black and white prints, which he still makes himself in his darkroom, reflect a sense of refinement, respect for history, and thorough originality.
During Kenna’s career, his photographs have been shown in over four hundred and fifty one-person gallery and museum exhibitions throughout the world, and are included in over a hundred permanent institutional collections, including; The Bibliotheque Nationale, Paris; The Metropolitan Museum of Photography, Tokyo; The Museum of Modern Art, New York; The National Gallery, Washington, D.C.; The Shanghai Art Museum, Shanghai; and The Victoria and Albert Museum, London.
Over seventy monographs and exhibition catalogs have been published on Kenna’s work, including; Michael Kenna – A Twenty Year Retrospective (Treville, 1994 and Nazraeli Press, 2000); Impossible to Forget (Marval and Nazraeli Press, 2001); Japan (Nazraeli Press and Treville Editions, 2003); Michael Kenna – A Retrospective (BnF, 2009); Immagini del Settimo Giorno (Skira, 2010); China (Posts and Telecom Press, 2014); France (Nazraeli Press, 2014); Forms of Japan (Prestel, 2015); Rafu (Nazraeli Press and Shuppan Kyodosha, 2018) and Beyond Architecture – Michael Kenna (Prestel 2019).